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Europe’s Cheesy Musical Proxy War


Ivan Plis
Politics, Eurasia

This year’s Eurovision Song Contest was a microcosm of regional dynamics.

The Eurovision Song Contest isn’t supposed to matter. It’s the vehicle that launched ABBA and Céline Dion to stardom, the realm of ill-conceived, earnest performances that are as divorced from good musical taste as they are from the rest of the real world. Commentators on this year’s inaugural U.S. broadcast (on Logo TV, home to RuPaul’s Drag Race and seemingly little else) variously explained the spectacle as “a rave at the UN,” “the gay Olympics” and “American Idol meets the Hunger Games.”
And yet at the end of …read more

Source: The National Interest

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